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and did not return until 1945
Ein Resümee zu ziehen
and Lucy Lippard
cultural contexts
The Observer Effect activism and did not return untilIn The Observer Effect: On Contemporary Painting, poet and critic Barry Schwabsky looks at the different directions that painting has taken since the turn of the millennium. moreHe deflates the twentieth century belief that abstraction and figuration in painting are dichotomous. Instead, Schwabsky argues, they are methods of asking or answering the questions: What is painting? What can painting become in an observers encounter with it?
