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as the Republic's quiet inheritor
his fur cap and spectacles doing the quiet work of a republic still arguing for its own existence
The image trades on memory: founder as refuge
Our reproduction is taken from the engrossed parchment held at the National Archives
Alexander Anderson, the First Engraver on Wood in America, 19th Century Vintage LA Print as the Republic's quiet inheritorAlexander Anderson, the First Engraver on Wood in America, 19th Century a portrait of the physician turned artisan who taught a young republic to print pictures from boxwood, his burin tracing the quiet revolution by which American books finally learned to illustrate themselves. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical societies, and the
