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and Agnieszka Roguski
as a way to enrich and expand their practice
Robert Stadler
Its political and poetic program consists of experiencing the world from its margins
Marfa Sounding goods and Agnieszka RoguskiThis book is an extension of conversations begun at Marfa Sounding, a three year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, morean international program run by Beaux Arts Nantes Saint Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on phase shifting in music, particularly as it relates to early experiments in Minimalism and artists
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