CHORD VOICING vintage instrumentation

instrumentation

I couldn’t rely on endless ostinatos or ambience beds to eat up minutes at a time and I had a full spectrum of emotions to convey

and both of them are essential

When it’s done right it’s both exotic and familiar and extremely effective

CHORD VOICING vintage instrumentationPart composition part orchestration part counterpoint in this class we're going to examine the continually requested dynamics of chords and chord voicings; when to use what and how. When to double; which octaves; when to choose open or closed; how to handle voice leading. Chords say a lot about the style and era of music too; it's a complex topic and this will help simplify and guide your choices and process. Don't miss it!