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The Iron Cathedral: Grand Central Terminal in the Age of Steam renders the great concourse as a basilica of soot and signal-light
1861 — a portrait of the German-born commander whose name alone could rally regiments of immigrant volunteers to the Union cause
Alford Q Collins 1897 — a studio portrait fixed in the late Gilded Age
The lithograph belongs to that quieter chapter of remembrance
General Robert E Lee 1891 Frame Style:Canvas Wrap The Iron Cathedral: Grand CentralGeneral Robert E Lee 1891. Issued a quarter century after Appomattox and a year after the great equestrian unveiling in Richmond, this commemorative portrait belongs to the Lost Cause's long second act Lee rendered not as defeated general but as marble saint, the South's grief hardening into iconography. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional
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