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Well in this class we’re going to analyze the Main Title - both compositionally and especially orchestrationally - because today I would do it very differently
Not a lot of theory just a lot of easy-to-use formulas to get you instantly in the vibe
Discussion of technique is great but nothing beats real-world experience
letting the music tell you which instruments will best express the inherent drama and message within
IMPRESSIONS music Well in this class we’reI think we should be able to do passable "impressions" of our composing contemporaries. Doing so reveals our understanding (or lack thereof) of the colors and styles we're surrounded by which naturally influence our own work! This oft requested class explores the "essence" of the sounds from composers like James Horner Alan Silvestri Thomas Newman Jerry Goldsmith and others. What makes them sound the way they do? Through harmonic orchestrational and
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