Temperatures Vol. 3 The Green-eyed Mouse and the Blue-eyed Mouse Cadillac Ranch (1974)

Cadillac Ranch (1974)

Batia Suter’s work will be re-situated within the context of a history of iconographic practices that run through different fields of activities and knowledge

The reception was divided and passionate

and all under a strange and singular light

Temperatures Vol. 3 The Green-eyed Mouse and the Blue-eyed Mouse Cadillac Ranch (1974)Vol. 3 features Roco Olivares (CL) and her recent ceramic series Espalier. Designed to resemble a seed catalog for rare plants, this issue reimagines Olivaress sculptures as part of a multi level marketing scheme, a pervasive social phenomenon she observed in Santiago during the pandemic lockdowns. Still life photographs depict the ceramics in constructed, faux natural, highly commercial scenes, highlighting the elaborate mechanisms of visual