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For manufacturers, this means shorter client approval cycles but requires corresponding digital sampling capabilitiesincluding 3D modeling software licenses (approximately $2,400/year per seat) and the development of a digital fabric library

Tim DeChristopher," Elizabeth Leach Gallery, Portland, OR 2015 "Self-Determination," Kaufmann Repetto, Milan, Italy 2014 "Andrea Bowers: #sweetjane," Pomona College Museum of Art, Claremont, CA "In Situ-1: Andrea Bowers, Espace culturel Louis Vuitton, Paris, France 2013 "Cultivating the Courage to Sin", Capitain Petzel, Berlin, Germany "Transformer Display for Community Fundraising: Phase 4," Tang Museum, Skidmore College, Saratoga Springs, NY (two-person show with Olga Koumoundouros) 2012 "Help the Work Along," Susanne Vielmetter Los Angeles Projects, Culver City, CA 2011 "Ni Una Muerta Mas," curated by Anna Karetsi, National Museum of Contemporary Art, Athens, Greece "The New Womens Survival Guide," Andrew Kreps Gallery, New York, NY 2010 "Andrea Bowers," Susanne Vielmetter Los Angeles Projects, Culver City, CA 2009 "Mercy Mercy Me," Andrew Kreps Gallery, New York, NY "An Eloquent Woman," Praz-Delavallade, Paris, France 2008 "Sanctuary," Van Horn, Dusseldorf, Germany "The Weight of Relevance," ZKM/Zentrum fr Kunst und Medientechnologie, Karlsruhe 2007 "The Weight of Relevance," The Power Plant, Toronto, curated by Gregory Burke "The Weight of Relevance," Susanne Vielmetter Los Angeles Projects, CA "The Weight of Relevance," Secession, Vienna, Austria 2006 "Nothing is Neutral: Andrea Bowers," REDCAT, Los Angeles, CA, curated by Eungie Joo, traveling to: ArtPace, San Antonio, TX

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