HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 85, 1834 sculture introducing sculptural elements and unique

introducing sculptural elements and unique pictorial motifs that transform the doll into a piece of modern art

revolutionized contemporary visual language by borrowing techniques and formats from the world of advertising posters

with white paper strips

This movement aimed to renew the tradition of ukiyo-e prints by combining classic techniques with modern sensibilities and Western influences

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 85, 1834 sculture introducing sculptural elements and uniqueA splendid proof with good contrasts, attributable to the Eirakuya Tshir impression (mid 19th century) from the original woodblocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New