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Sul foglio il timbro a secco della stamperia
revolutionized contemporary visual language by borrowing techniques and formats from the world of advertising posters
illustrator
The novelty of her sheets lies in having translated her recognizable stylistic signature into print: a radical simplification of composition and the use of a pastel color palette dominated by pinks
ALBERS JOSEF, Homage to the Square (diptych), 1971 sculture Sul foglio il timbro aPerfect copies published in 1971 by Ives Sillman Inc., New Haven, USA. Printed by Sirocco Screenprints studios, New Haven, USA. Perfect preservation, with untrimmed margins and a central editorial fold.
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